With the exception of this wall, from 1977 onwards, the anarcho-punks Crass - influenced by political post-68 stencils in Paris - only sprayed activist-poetic stencils on sexist or "exploitative" advertising posters in the London subway system. The photo became the cover motif for her record “Stations of the Crass”, the title of which alludes, among other things, to the graffiti campaign in subway stations stenciled by Crass.

Photo: Crass.